David DeMotta

Academics

Research and university teaching in jazz history and analysis, music theory, world music, and the Black music of the Americas.

Publications & Presentations

  • DeMotta, David. “Bud Powell's Improvising and the Aesthetics of Bebop Rhythm.” Jazz Perspectives 12, no. 3 (2020): 339–370.

    Peer-reviewed article · doi:10.1080/17494060.2020.1840417 (opens in a new tab)

  • “Interlocking Riff Complexes in Big Band Mambo, Latin Jazz, and Swing Arrangements from the Early- to Mid-Twentieth Century.” Analytical Approaches to World Music Conference, University of Massachusetts Amherst.

    Conference presentation

Dissertation

The Contributions of Earl “Bud” Powell to the Modern Jazz Style

Ph.D. in Ethnomusicology, The Graduate Center, City University of New York, 2015

DeMotta's doctoral dissertation examines the pianist Earl “Bud” Powell's role in shaping the modern jazz style — his improvisational language, his rhythmic approach, and his influence on the generations of pianists who followed. Completed in 2015 at the CUNY Graduate Center, it is available in full through CUNY Academic Works.

Read at CUNY Academic Works (opens in a new tab)

Education

  • Ph.D. in Ethnomusicology

    The Graduate Center, City University of New York

    Areas of specialization: Black Music of the Americas, Music of South Asia, jazz analysis and improvisation

  • M.M. in Jazz Studies and Performance (Piano)

    William Paterson University

    Thesis: An Analysis of Herbie Hancock's Accompanying in The Miles Davis Quintet

  • B.A. in Jazz Studies and Performance (Piano)

    William Paterson University

    Recipient of the Outstanding Senior Classical Performer Award